Sitting Mobile sold

This piece was recently sold.

I first posted about it here. I was thrilled that it sold and was happy to ship it out, but was also quite sad to see it go. I’ve had it for some time and had gone through what is a typical cycle for me of really being passionate about it when I first made it, then slowly becoming very critical of it to the point of apathy, and finally, as it becomes almost a fixture in my studio, finding a real appreciation for it. It was sold on my Etsy site.

This cycle of like – dislike – like is something I’ve learned to watch for. I try not to make any disastrous moves that I may come to regret during the dislike phase.

What I find interesting is that the qualities of a piece that I’ve made, that I was trying for when I made it in the first place are often not the the elements that I come to value at the end of this cycle. And this cycle is not continuous, it does end. It’s important to trust myself, that my initial instincts are often valuable.

Some pieces, however, I am lucky enough to not to go through this cycle with, and I just like what I did.

A Slide Show

Viewing some of my art work

I have a hard time shooting pictures of some of my art work. The pictures never quite show what I see. I suppose that’s a common complaint among amature photographers. Just the other day I discovered a way to shoot some of my work in a way that I really like.

I realized that I don’t interact with my work from a distance and see the work in a static view. No, I walk around or past each piece. Sometimes my eye catches one or two elements. Sometimes I get drawn into fragments. So I started shooting details of some of my pieces, isolating parts from the whole. For some pieces it works nicely.

Detail from painted table base by Todd Fillingham.

Detail from paper table by Todd Fillingham

This last image is a little off-putting I think. It is really not out of focus, this is how the print looks on the table base.

Another way that seems to work for me to shoot some of my work is to include some of the context or enviroment that the piece is in. Sometimes I like the environment to be a little undefined. Here’s a sketch for a carving.

Drawing by Todd Fillingham for a carving done in mahogany.

Resin nude on Paper Base Table, both by Todd Fililngham

And sometimes just shooting the piece in room it is shown in when the light is just right is OK.

Boy With Kite by Todd Fillingham

And this last piece I had to “photoshop” the background.

Resin, wire and cloth figure by Todd Fillingham

I’ll get back to that post about the next table I’m working on soon.

Oops, I wanted to add this painting as well.

Sitter2, Fall

Sometimes, especially as winter approaches, it seems like you get very tired.

This is the same model as in Sitter. My drawing instructor at the time said that a lot of figurative artists will try hard to avoid drawing or painting the hands and feet of their model. They’re not easy, this was as good as I could ever get, at least back when I was taking class.

Fall leaves and a cast concrete piece I have yet to name.

Here’s a little Miles Davis to go with this post.

sitting mobile

Here’s a small, self standing mobile I did several years ago. It’s an abstracted figure in 3D. At one point I replaced the little wire “S” curve connectors between the moving elements with brass ball chain, I’m going to go back to the “S” curves. I wanted to get a 360 degree turn on the elements but it looks a little clunky.

This piece is one of my metal sculptures in which I try and create something of an abstracted narrative within the piece.

-Todd

sitter

I’ve brought a drawing I did some time ago in from home to repair the frame and thought I’d take a picture of it and post it today. There’s a little key stoning as I didn’t quite get the optimal set up for shooting it but I’ve cropped it so you won’t really notice it.

 

I drew this back in 1983 while taking a course in figure drawing at the Milwaukee Institute of Art and Design. This model was great for what I was trying to express in my figures. I have another drawing I did of him that I actually like better than this one and I hope to shoot it soon.

 

 

 

There is something about figure drawing that changes the way my brain works, the way it looks at things and the way I draw. I need to do more of it.

 

 

 

 

 

 

 

 

 

 

Folding screen

Here’s an image of a screen I made quite a few years ago. By folding the panels in different ways the reclining figure takes on slightly different look, sometimes aloof, sometimes embracing. I had intended this screen to be the first of a series, however I haven’t yet continued the series. I still would like to work on these and will…eventually.

Reclining figure 1

Orca got hauled and I have a little time to post something. Here’s a drawing I did, then scanned and manipulated, then printed out and put up on my wall for awhile, scanned again and have posted here. It’s part of a series.

Todd

P.S. Here’s a link to a figurative carving I have up on my current web site.