Viewing some of my art work

I have a hard time shooting pictures of some of my art work. The pictures never quite show what I see. I suppose that’s a common complaint among amature photographers. Just the other day I discovered a way to shoot some of my work in a way that I really like.

I realized that I don’t interact with my work from a distance and see the work in a static view. No, I walk around or past each piece. Sometimes my eye catches one or two elements. Sometimes I get drawn into fragments. So I started shooting details of some of my pieces, isolating parts from the whole. For some pieces it works nicely.

Detail from painted table base by Todd Fillingham.

Detail from painted table base by Todd Fillingham.

Detail from paper table by Todd Fillingham

Detail from paper table by Todd Fillingham

This last image is a little off-putting I think. It is really not out of focus, this is how the print looks on the table base.

Another way that seems to work for me to shoot some of my work is to include some of the context or enviroment that the piece is in. Sometimes I like the environment to be a little undefined. Here’s a sketch for a carving.

Drawing by Todd Fillingham for a carving done in mahogany.

Drawing by Todd Fillingham for a carving done in mahogany.

Resin nude on Paper Base Table, both by Todd Fililngham

Resin nude on Paper Base Table, both by Todd Fililngham

And sometimes just shooting the piece in room it is shown in when the light is just right is OK.

Boy With Kite by Todd Fillingham

Boy With Kite by Todd Fillingham

And this last piece I had to “photoshop” the background.

Resin, wire and cloth figure by Todd Fillingham

Resin, wire and cloth figure by Todd Fillingham

I’ll get back to that post about the next table I’m working on soon.

Oops, I wanted to add this painting as well.

black_door1

Sitter2, Fall

Sitter2

Sometimes, especially as winter approaches, it seems like you get very tired.

This is the same model as in Sitter. My drawing instructor at the time said that a lot of figurative artists will try hard to avoid drawing or painting the hands and feet of their model. They’re not easy, this was as good as I could ever get, at least back when I was taking class.

enigmatic view

Fall leaves and a cast concrete piece I have yet to name.

Here’s a little Miles Davis to go with this post.

sitter

I’ve brought a drawing I did some time ago in from home to repair the frame and thought I’d take a picture of it and post it today. There’s a little key stoning as I didn’t quite get the optimal set up for shooting it but I’ve cropped it so you won’t really notice it.

 

I drew this back in 1983 while taking a course in figure drawing at the Milwaukee Institute of Art and Design. This model was great for what I was trying to express in my figures. I have another drawing I did of him that I actually like better than this one and I hope to shoot it soon.

 

 

Sitter

 

There is something about figure drawing that changes the way my brain works, the way it looks at things and the way I draw. I need to do more of it.